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    <loc>https://www.megancope.com.au/press/newcastle-art-gallery-architectureau</loc>
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    <lastmod>2026-03-10</lastmod>
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      <image:title>Press - Newcastle Art Gallery opens with double the original footprint - Make it stand out</image:title>
      <image:caption>Image: Megan Cope, Kinyingarra Guwinyanba (Off Country), 2022. Installation view, Newcastle Art Gallery, Mulubinba/Newcastle. Courtesy the artist and Milani Gallery, Meanjin/Brisbane. Photo: Matthew Carbone.</image:caption>
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      <image:title>Press - Newcastle Art Gallery opens with double the original footprint - Make it stand out</image:title>
      <image:caption>Image: Megan Cope, Kinyingarra Guwinyanba (Off Country), 2022. Installation view, Newcastle Art Gallery, Mulubinba/Newcastle. Courtesy the artist and Milani Gallery, Meanjin/Brisbane. Photo: Matthew Carbone.</image:caption>
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  <url>
    <loc>https://www.megancope.com.au/press/becoming-country-the-annual-2025</loc>
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    <priority>0.5</priority>
    <lastmod>2026-03-10</lastmod>
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      <image:title>Press - Becoming Country - Make it stand out</image:title>
      <image:caption>Image: Megan Cope, Kinyingarra Guwinyanba, 2022–ongoing. Installation view, intertidal zone oﬀ the coast of Minjerribah/North Stradbroke Island, Queensland. Courtesy the artist and Milani Gallery, Meanjin/Brisbane. Photo: Cian Sanders.</image:caption>
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  <url>
    <loc>https://www.megancope.com.au/press/mgnsw-imagine-award</loc>
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    <priority>0.5</priority>
    <lastmod>2026-03-16</lastmod>
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      <image:title>Press - Megan Cope: Ngumpi Kinyingarra Oyster House wins MGNSW IMAGinE Award - Make it stand out</image:title>
      <image:caption>Image: Friday Night Sounds: Jun Wan during Megan Cope: Ngumpi Kinyingarra Oyster House, Newcastle Art Gallery, Australia for New Annual, 2024. Photographer: Edwina Richards.</image:caption>
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  <url>
    <loc>https://www.megancope.com.au/press/fluid-connections-art-guide</loc>
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    <priority>0.5</priority>
    <lastmod>2026-03-16</lastmod>
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      <image:title>Press - Fluid Connections - Make it stand out</image:title>
      <image:caption>Image caption: Megan Cope, Whispers (Poles), 2023–24, burogari (cypress pine), kinyingarra (oysters), stainless steel wire, dimensions variable. Installation view, to come together as water, UQ Art Museum, Meanjin/Brisbane, 2025. Photo: Joe Ruckli.</image:caption>
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  <url>
    <loc>https://www.megancope.com.au/press/sharjah-biennial-16-mousse-magazine</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-16</lastmod>
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      <image:title>Press - Sharjah Biennial 16: to carry. Natasha Ginwala, Amal Khalaf, Zeynep Öz, Alia Swastika, and Megan Tamati-Quennell in Conversation with Barbara Casavecchia - Make it stand out</image:title>
      <image:caption>Megan Cope, Kinyingarra Poles, 2023–24. Installation view, Sharjah Biennial 16: to carry, Buhais Geology Park, Sharjah, 2025. Assisted by the Australian Government through Creative Australia. Courtesy of the artist and Milani Gallery, Meanjin/Brisbane. Photo: Ali Alfadly.</image:caption>
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  <url>
    <loc>https://www.megancope.com.au/press/five-works-to-see-frieze</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-16</lastmod>
    <image:image>
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      <image:title>Press - Five Works to See at Sharjah Biennial 16 - Make it stand out</image:title>
      <image:caption>Megan Cope, Kinyingarra Poles, 2023–24. Installation view, Sharjah Biennial 16: to carry, Buhais Geology Park, Sharjah, 2025. Assisted by the Australian Government through Creative Australia. Courtesy of the artist and Milani Gallery, Meanjin/Brisbane. Photo: Ali Alfadly.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.megancope.com.au/press/care-and-connection-hyperallergic</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/d781c136-dbb1-49b3-9329-3ab6a0e7b004/Screenshot+2026-03-16+at+10.40.06%E2%80%AFpm.png</image:loc>
      <image:title>Press - Care and Connection Are at the Heart of the 2025 Hawai‘i Triennial - Make it stand out</image:title>
      <image:caption>Megan Cope, Kinyingarra Guwinyanba (Off Country) / Kaulana ‘Ōlepe, 2025, local timber, local oyster shells, stainless steel wire, dimensions variable. Installation view, Hawai’i Triennial 25: Aloha Nō, Hō'ikeākea Gallery, Leeward Community College, Honolulu. Courtesy of the artist and Milani Gallery, Meanjin/Brisbane. Photo: Duarte Studios.</image:caption>
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  <url>
    <loc>https://www.megancope.com.au/press/no-aloha-artforum</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/f1b79a10-cb5a-4cf6-94de-524a6ee59906/Screenshot+2026-03-10+at+10.38.30%E2%80%AFpm.png</image:loc>
      <image:title>Press - No Aloha - Make it stand out</image:title>
      <image:caption>Megan Cope, Kinyingarra Guwinyanba (Off Country) / Kaulana ‘Ōlepe, 2025, local timber, local oyster shells, stainless steel wire, dimensions variable. Installation view, Hawai’i Triennial 25: Aloha Nō, Hō'ikeākea Gallery, Leeward Community College, Honolulu. Courtesy of the artist and Milani Gallery, Meanjin/Brisbane. Photo: Duarte Studios.</image:caption>
    </image:image>
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  <url>
    <loc>https://www.megancope.com.au/press/revive-and-resist</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/7799a6ae-9ff1-4f83-a35c-f02164cb5584/Screen+Shot+2025-03-12+at+8.48.33+am.png</image:loc>
      <image:title>Press - Revive and Resist - Make it stand out</image:title>
      <image:caption>Image: Megan Cope with her work After The Flood IIII (ongoing series), 2024. Installation view, 24th Biennale of Sydney: Ten Thousand Suns, UNSW Galleries, Sydney, 2024.</image:caption>
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  </url>
  <url>
    <loc>https://www.megancope.com.au/press/inside-the-sharjah-biennale-2025</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/33f55fe6-be4d-4b92-a669-1808f68ae4b1/Screenshot+2026-03-16+at+11.18.40%E2%80%AFpm.png</image:loc>
      <image:title>Press - ‘Artists are being asked to be vulnerable’: inside the Sharjah Biennial 2025 - Make it stand out</image:title>
      <image:caption>Megan Cope, Kinyingarra Poles, 2023–24, timber, oyster shells, stainless steel wire, dimensions variable. Installation view, Sharjah Biennial 16: to carry, Buhais Geological Park, Sharjah, UAE. Courtesy the artist and Milani Gallery, Meanjin/Brisbane. Photo: Ali Alfadly.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/7b03dc68-f8e9-4833-8c9d-3739ccfeca01/Screen+Shot+2025-02-20+at+4.05.36+pm.png</image:loc>
      <image:title>Press - ‘Artists are being asked to be vulnerable’: inside the Sharjah Biennial 2025 - Make it stand out</image:title>
      <image:caption>Image courtesy of Sevil Tunaboylu.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/d7835a45-a0e0-4ebf-8bd3-344b8decd027/Screen+Shot+2025-02-20+at+4.07.57+pm.png</image:loc>
      <image:title>Press - ‘Artists are being asked to be vulnerable’: inside the Sharjah Biennial 2025 - Make it stand out</image:title>
      <image:caption>Image courtesy of Richard Bell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/43edcc34-77ab-4a8b-8826-cca360897aa9/Screen+Shot+2025-02-20+at+4.08.11+pm.png</image:loc>
      <image:title>Press - ‘Artists are being asked to be vulnerable’: inside the Sharjah Biennial 2025 - Make it stand out</image:title>
      <image:caption>Image courtesy of Heman Chong.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/50e7a3f1-52cf-4ca6-89a8-d0795b8138a5/Screen+Shot+2025-02-20+at+4.08.26+pm.png</image:loc>
      <image:title>Press - ‘Artists are being asked to be vulnerable’: inside the Sharjah Biennial 2025 - Make it stand out</image:title>
      <image:caption>Image courtesy of Aluaiy Kaumakan.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.megancope.com.au/press/sharjah-biennial-16-emirate-wide-exhibition-regains-its-edge</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/3c9e3fb2-ec37-4304-8d3c-f4b06ec3b285/Screen+Shot+2025-02-20+at+3.52.53+pm.png</image:loc>
      <image:title>Press - Sharjah Biennial 16: sprawling emirate-wide exhibition regains its edge - Make it stand out</image:title>
      <image:caption>Lorna Simpson, From Earth &amp; Sky, 2018. Installation view, Sharjah Biennial 16: to carry, Sharjah. Photo: Motaz Mawid</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/50458d39-4cdb-4553-b895-ea3839666e68/Screen+Shot+2025-02-20+at+3.54.21+pm.png</image:loc>
      <image:title>Press - Sharjah Biennial 16: sprawling emirate-wide exhibition regains its edge - Make it stand out</image:title>
      <image:caption>Image: Megan Cope, Kinyingarra Poles, 2024. Installation view, Sharjah Biennial 16: to carry, Buhais Geological Park, Sharjah. Image courtesy of The Art Newspaper.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/7339208b-4bd9-4f3e-8302-cd8a70eb66ee/Screen+Shot+2025-02-20+at+3.56.01+pm.png</image:loc>
      <image:title>Press - Sharjah Biennial 16: sprawling emirate-wide exhibition regains its edge - Make it stand out</image:title>
      <image:caption>Image: Kegham Djeghalian Jr and Kegham Djeghalian Sr, Photo Kegham of Gaza: Unboxing, 2020–24. Installation view, Sharjah Biennial 16: to carry, Sharjah. Image courtesy of The Art Newspaper.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/a6391c7c-fdb8-4030-a8a9-3a77d7513ed7/Screen+Shot+2025-02-20+at+3.57.52+pm.png</image:loc>
      <image:title>Press - Sharjah Biennial 16: sprawling emirate-wide exhibition regains its edge - Make it stand out</image:title>
      <image:caption>Jorge González Santos, Jatibonicu(People of Sacred High Waters), 2024-25. Installation view, Sharjah Biennial 16: to carry, Sharjah. Image courtesy of The Art Newspaper.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/28e0ba15-f5f6-4878-8494-1eb2eaeba7e3/Screen+Shot+2025-02-20+at+3.59.46+pm.png</image:loc>
      <image:title>Press - Sharjah Biennial 16: sprawling emirate-wide exhibition regains its edge - Make it stand out</image:title>
      <image:caption>Raafat Majzoub, Streetschool Prototype 1.1, Everything—in your love—becomes easy, 2019/2024. Installation view, Sharjah Biennial 16: to carry, Sharjah. Photo: Motaz Mawid</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.megancope.com.au/press/sharjah-biennial-16-to-carry</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/b2fd65b7-575d-4b6b-8d23-3878d00c4c6e/Screen+Shot+2025-02-18+at+6.11.16+pm.png</image:loc>
      <image:title>Press - Sharjah Biennial 16: to carry - Make it stand out</image:title>
      <image:caption>Image: Megan Cope, Kinyingarra Poles, 2024. Installation view, Sharjah Biennial 16: to carry, Buhais Geological Park, Sharjah. Image courtesy The Art Newspaper.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.megancope.com.au/press/sharjah-biennial-16-announces-title-approach-and-participants</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/3026a88a-e765-44aa-a788-1e0b3a90ea1e/593753_af4780b2f1880cad8b51655704520bb7+%281%29.jpg</image:loc>
      <image:title>Press - Sharjah Biennial 16 announces title, approach and participants - Make it stand out</image:title>
      <image:caption>From left: Natasha Ginwala, Megan Tamati-Quennell, Zeynep Öz, Alia Swastika and Amal Khalaf. Al Mureijah, Sharjah, 2024. Photo: Danko Stjepanovic.</image:caption>
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  </url>
  <url>
    <loc>https://www.megancope.com.au/press/sharjah-biennial-announces-artists-for-2025-edition</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/53384112-3c72-4c55-bd27-c1e2b7fcafde/Screen+Shot+2025-02-20+at+4.14.02+pm.png</image:loc>
      <image:title>Press - Sharjah Biennial Announces Artists for 2025 Edition, Will Feature Works by Arthur Jafa, Lorna Simpson and More - Make it stand out</image:title>
      <image:caption>Image: Hajra Waheed, Hum II, 2023. Installation view, Sharjah Biennial 15, Sharjah, UAE.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.megancope.com.au/press/first-nations-artwork-acquired-by-australian-art-institution</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-11-19</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/13847b40-e795-4dab-989d-d57885fe4381/Megan+Cope.jpg</image:loc>
      <image:title>Press - First Nations Artwork Acquired by Australian Art Institution - Make it stand out</image:title>
      <image:caption>Portrait of Megan Cope. Poto by Zan Wimberley. Courtesy the artist and Milani Gallery, Meanjin/Brisbane.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.megancope.com.au/press/deep-listening-the-lissome</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-11-19</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/382cda1c-097d-4af0-ac03-c84c4eb009cf/IMG_2932.jpeg</image:loc>
      <image:title>Press - Deep Listening - Make it stand out</image:title>
      <image:caption>Images of magazine by Catherine French</image:caption>
    </image:image>
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      <image:title>Press - Deep Listening - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/1dbfd92d-5ca7-4cbc-b5b7-d83281401068/IMG_2934.jpeg</image:loc>
      <image:title>Press - Deep Listening - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/8c3a9dbd-0f34-49c4-adb4-cccd4e36afbd/IMG_2935.jpeg</image:loc>
      <image:title>Press - Deep Listening - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/b6b8654e-731f-4317-b945-ebccb84a335e/IMG_2936.jpeg</image:loc>
      <image:title>Press - Deep Listening - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/57473ad0-5cbb-43da-9bdc-9001096b9d73/IMG_2937.jpeg</image:loc>
      <image:title>Press - Deep Listening - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.megancope.com.au/press/the-sydney-biennale-is-coming-to-a-close</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-07-20</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/2d0c24a0-dcd3-4519-8732-234534810b97/Malcolm+Cole.jpeg</image:loc>
      <image:title>Press - The Sydney Biennale is coming to a close. - Make it stand out</image:title>
      <image:caption>“Malcolm Cole — larger than life” (2024) Credit: Biennale of Sydney</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/17c82ac5-7f72-42d0-a6b3-b86a5e7e6d95/Malcolm+Cole.jpeg</image:loc>
      <image:title>Press - The Sydney Biennale is coming to a close. - Make it stand out</image:title>
      <image:caption>“Malcolm Cole — larger than life” (2024) Credit: Biennale of Sydney</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/f7f008a5-de51-48f0-b37b-f1b4501878b2/kaylene-tv.jpeg</image:loc>
      <image:title>Press - The Sydney Biennale is coming to a close. - Make it stand out</image:title>
      <image:caption>Kaylene TV Installation Credit: David Suyasa/Roslyn Oxley9 Gallery</image:caption>
    </image:image>
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  </url>
  <url>
    <loc>https://www.megancope.com.au/works/whispers-midden</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-16</lastmod>
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    </image:image>
  </url>
  <url>
    <loc>https://www.megancope.com.au/works/whispers-sydney-opera-house</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-05-25</lastmod>
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    </image:image>
  </url>
  <url>
    <loc>https://www.megancope.com.au/works/after-the-flood-iv</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-05-25</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/74371b3c-314e-4935-b4a4-f587ff3624f0/BoS_MC_AfterTheFlood_2024_CarlWarner_WEB.jpg</image:loc>
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    </image:image>
  </url>
  <url>
    <loc>https://www.megancope.com.au/works/fight-or-flight-australian-war-memorial-series</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-09-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/2c696b82-3698-49fd-9ae5-3491a258ec0c/Megan+Cope.+Fight+or+Flight+%231+Old+Rivers%2C+Deep+Water.+%28Lake+Qadisiya+%26+Lake+Assad%29+2019.jpg</image:loc>
      <image:title>Works - Fight or Flight - Australian War Memorial Series</image:title>
      <image:caption>Flight or Fight #1 Old Rivers, Deep Water. (Lake Qadisiya &amp; Lake Assad) 2018- 2019 Commissioned by the Australian War Memorial | AWM2019.58.1. Used Engine oil, ink and acrylic on paper and linen mounted in North Stradbroke Island blue gum; 121 x 103 cm.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/cde90e6e-9a1b-4007-b0b4-6518cc723864/22-4_SAM_58.jpg</image:loc>
      <image:title>Works - Fight or Flight - Australian War Memorial Series</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/dc076c33-01e1-419d-9e5f-706e7636b445/ab0c0-megan-cope-flight-or-fight-2-the-near-east-bombs-and-oil-hostile-object-2019.jpg</image:loc>
      <image:title>Works - Fight or Flight - Australian War Memorial Series</image:title>
      <image:caption>Flight or Fight #2 The Near East – Bombs and Oil (Hostile Object) 2018-2019 Commissioned by the Australian War Memorial | AWM2019.58.2. Gifted Keffiyeh/Shemagh, paper map of The Near East (published by the Serial Map Service 1941) and acrylic on linen mounted on North Stradbroke Island blue gum. 157 x 153 cm</image:caption>
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      <image:title>Works - Fight or Flight - Australian War Memorial Series</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/587fbff3-5872-4666-9222-9f037c19ab96/676c5-megan-cope-flight-or-fight-3-silk-road-extended-friendly-object-2019-2.jpg</image:loc>
      <image:title>Works - Fight or Flight - Australian War Memorial Series</image:title>
      <image:caption>Flight or Fight #3 Silk Road Extended (Friendly Object) 2018-2019 Commissioned by the Australian War Memorial | AWM2019.58.3. Acrylic on paper Chinese Map of Middle east (printed by Sun Wah press 1941) on linen mounted in North Stradbroke Island Blue Gum 93 x 142 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/2a9fdf64-3d7e-4db3-a47b-7ecee8c65962/22-4_SAM_48.jpg</image:loc>
      <image:title>Works - Fight or Flight - Australian War Memorial Series</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/0eda7ac3-3e0e-4349-8dbb-4dafa7c57c63/c0fde-megan-cope-flight-or-fight-4-a-golden-arc-known-object-2019.jpg</image:loc>
      <image:title>Works - Fight or Flight - Australian War Memorial Series</image:title>
      <image:caption>Flight or Fight #4 A Golden Arc (Known Object) 2018-2019 Commissioned by the Australian War Memorial | AWM2019.58.4. Acrylic on paper over General World Series map (of the Middle East 1933) on linen mounted in North Stradbroke Island Cypress Pine 110 x 165 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/6da4efbe-8c3f-440e-b021-de6e53d7a245/22-4_SAM_47.jpg</image:loc>
      <image:title>Works - Fight or Flight - Australian War Memorial Series</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/85f1aa72-60a2-413f-9833-39e991db09d9/ba483-megan-cope-flight-or-fight-5-radar.jpg</image:loc>
      <image:title>Works - Fight or Flight - Australian War Memorial Series</image:title>
      <image:caption>Flight or Fight #5 Radar 2018-2019 Commissioned by the Australian War Memorial | AWM2019.58.5. Acrylic on paper Ethnographic Map of Eastern Turkey in Asia, Syria and Western Persia on Linen mounted in North Stradbroke Island Cypress Pine 171 x 165 cm</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/babbac99-a490-4e2c-a3b7-b764097e8ffd/22-4_SAM_46.jpg</image:loc>
      <image:title>Works - Fight or Flight - Australian War Memorial Series</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/e511a3f2-dd46-436d-a802-a8bdaffb36f0/bfbf2-megan-cope-flight-or-fight-6-a-line-in-the-sand.jpg</image:loc>
      <image:title>Works - Fight or Flight - Australian War Memorial Series</image:title>
      <image:caption>Flight or Fight #6 A Line in the Sand 2018-2019 Commissioned by the Australian War Memorial | AWM2019.58.6. Sykes and Picot Map over Eastern Turkey in Asia, Syria and Western Persia on Printed Silk 55 x 55.7 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/1630469803087-WEUP6DUVUYC3B7KXYCWK/image-asset.png</image:loc>
      <image:title>Works - Fight or Flight - Australian War Memorial Series - Flight or Fight #3 Silk Road Extended (Friendly Object) 2018-2019 Commissioned by the Australian War Memorial | AWM2019.58.3. Acrylic on paper Chinese Map of Middle east (printed by Sun Wah press 1941) on linen. Mounted in North Stradbroke Island Blue Gum. 93 x 142 cm. Courtesy of the Artist and Milani Gallery, Brisbane</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.megancope.com.au/works/the-blaktism</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-09-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/638276b4-29fb-41ab-9f3e-4dddbdf108b2/Screen+Shot+2021-09-22+at+1.14.07+pm.png</image:loc>
      <image:title>Works - The Blaktism</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/a993327e-dc9f-4a0d-b76c-763cf1ccd356/Megan+Cope%2C+The+Blaktism%2C+2014+%28film+still%29.jpg</image:loc>
      <image:title>Works - The Blaktism</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/21ffeed1-0691-4f33-b4f1-e817b8536083/Megan+Cope%2C+The+Blaktism%2C+2014+%28film+still%29%281%29.jpg</image:loc>
      <image:title>Works - The Blaktism</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/fe45af59-489e-41a1-b61b-1ce69c1db591/Screen+Shot+2021-09-22+at+1.14.15+pm.png</image:loc>
      <image:title>Works - The Blaktism</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/5f94106c-8958-44f5-aa0e-d92ae4a9f9c2/Screen+Shot+2021-09-22+at+1.14.30+pm.png</image:loc>
      <image:title>Works - The Blaktism</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/83a796c0-d8c9-4983-978e-c183e30669a2/Megan+Cope%2C+The+Blaktism+2014%2C+screening+at+EX-EMBASSY%2C+as+part+of+Berlin_s+Project+Space+Festival+2018.+Photo+by+Joanna+Kosowska.jpg</image:loc>
      <image:title>Works - The Blaktism</image:title>
      <image:caption>The Blaktism 2014, screening at EX-EMBASSY, as part of Berlin_s Project Space Festival 2018. Photo by Joanna Kosowska</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/1631676864701-CX84K63S1AO8SRJWCQZN/image-asset.jpeg</image:loc>
      <image:title>Works - The Blaktism - The Blaktism, 2014 (Video still) HD video with sound, 8 minutes 4 seconds. Courtesy the Artist and Milani Gallery, Brisbane.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.megancope.com.au/works/the-black-napoleon</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-09-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/5c82b0b1-e00d-4cd9-a1d4-fd8fc9e0406b/Megan+Cope%2C+_Nyanba+tahbiyilbanjara+nganany_+-+French+Connections+HR.jpg</image:loc>
      <image:title>Works - The Black Napoleon</image:title>
      <image:caption>Nyanba tahbiyilbanjara gnanany (He knew his saltwater country), 2019 Lithograph 55 x 229.5 cm (three sheets framed: 55 x 76.5 cm) | Edition of 10 Produced at the Australian Print Workshop Courtesy of the artist and Milani Gallery, Brisbane Image size: 55cm (h) x 229.5cm (w) Paper size: 55cm (h) x 229.5cm (w) (comprising three sheets each measuring 55cm (h) x 76.5cm (w) )</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/8a1a2895-ec70-453f-beb4-28f1035f55e9/Megan+Cope%2C+_Noogoon_+-+French+Connections+HR.jpg</image:loc>
      <image:title>Works - The Black Napoleon</image:title>
      <image:caption>(Detail) Nyanba tahbiyilbanjara gnanany (He knew his saltwater country), 2019 Lithograph 55 x 229.5 cm (three sheets framed: 55 x 76.5 cm) | Edition of 10 Produced at the Australian Print Workshop Courtesy of the artist and Milani Gallery, Brisbane</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/0362491e-c7d8-4c0c-a3b7-6990b54ef6a9/Megan+Cope%2C+_Quandamooka_+-+French+Connections.jpg</image:loc>
      <image:title>Works - The Black Napoleon</image:title>
      <image:caption>(Detail) Nyanba tahbiyilbanjara gnanany (He knew his saltwater country), 2019 Lithograph 55 x 229.5 cm (three sheets framed: 55 x 76.5 cm) | Edition of 10 Produced at the Australian Print Workshop Courtesy of the artist and Milani Gallery, Brisbane</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/ea8d49fe-fe6f-4b36-af04-0d90febb5cd5/Megan+Cope%2C+_Pulan+Pulan_+-+French+Connections.jpg</image:loc>
      <image:title>Works - The Black Napoleon</image:title>
      <image:caption>(Detail) Nyanba tahbiyilbanjara gnanany (He knew his saltwater country), 2019 Lithograph 55 x 229.5 cm (three sheets framed: 55 x 76.5 cm) | Edition of 10 Produced at the Australian Print Workshop Courtesy of the artist and Milani Gallery, Brisbane</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/cbfeecb8-8fca-4960-a931-9374eaf27579/Megan+Cope%2C+_The+Black+Napoleon+%28Kundul+Canoe%29_+-+French+Connections.jpg</image:loc>
      <image:title>Works - The Black Napoleon</image:title>
      <image:caption>The Black Napoleon (Kundul/Canoe) 2019 Lithograph Image: 62 diameter cm; Paper: 105 x 75 cm Produced at the Australian Print Workshop Courtesy of the artist and Milani Gallery, Brisbane. Edition of 20</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/22660b6b-086c-4610-bde4-6ecde80873c4/Megan+Cope%2C+_The+Black+Napoleon+%28Eulope%29_+-+French+Connections.jpg</image:loc>
      <image:title>Works - The Black Napoleon</image:title>
      <image:caption>The Black Napoleon (Eulope), 2019 Lithograph Image: 91 x 70 cm; Paper: 105 x 75 cm Produced at the Australian Print Workshop Courtesy of the artist and Milani Gallery, Brisbane. Edition of 20</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/01730479-7ffd-431e-b7b1-50ee3f37c502/Megan+Cope%2C+_The+Black+Napoleon+%28Noogoon+St+Helena%29_+-+French+Connections.jpg</image:loc>
      <image:title>Works - The Black Napoleon</image:title>
      <image:caption>The Black Napoleon (Noogoon/St Helena), 2019 Lithograph Image: 62 cm diameter; Paper: 105 x 75 cm Produced at the Australian Print Workshop Courtesy of the artist and This Is No Fantasy, Melbourne Edition of 20</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/1632276015219-DIS585FIRNLMTM4Q1B0G/image-asset.jpeg</image:loc>
      <image:title>Works - The Black Napoleon - The Black Napoleon (Eulope), 2019 Lithograph 91 x 70 cm; Paper: 105 x 75 cm  Produced at the Australian Print Workshop Courtesy of the artist and Milani Gallery, Brisbane.</image:title>
      <image:caption>- Images created for the photolithographic plate and drawn directly on to the lithographic plates by the Artist and processed, proofed and printed in an edition of 20 (plus proofs), in four colours, from one photolithographic plate and three hand drawn lithographic plates by APW Printers Martin King and Chris Ingham, at Australian Print Workshop, Melbourne, 2019. These works were produced in collaboration with APW Printers at Australian Print Workshop, Melbourne, as part of Australian Print Workshop’s French Connections project curated by APW Director Anne Virgo OAM.  Paper Stock: BFK Rives 270gsm</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.megancope.com.au/works/age-of-entitlement</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-09-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/39092458-6ef5-41df-8da0-ae0cf8c0b662/MC_Age-of-Entitlement_1000pw2.jpg</image:loc>
      <image:title>Works - Age of Entitlement</image:title>
      <image:caption>Installation view in proppaNOW: In Good Company, Footscray Community Arts Centre, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/40e6feb6-0434-411d-ad0a-9c54a8a6edb7/MC_Age-of-Entitlement_1000pw.jpg</image:loc>
      <image:title>Works - Age of Entitlement</image:title>
      <image:caption>Installation view in proppaNOW: In Good Company, Footscray Community Arts Centre, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/343945c0-ad2b-42dd-b410-d41e28515796/MC_Age-of-Entitlement_1000pw4.jpg</image:loc>
      <image:title>Works - Age of Entitlement</image:title>
      <image:caption>(Detail) Installation view in proppaNOW: In Good Company, Footscray Community Arts Centre, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/074519be-61e4-4657-8e5b-126548332106/14_Cope_AgeOfEntitlement.jpg</image:loc>
      <image:title>Works - Age of Entitlement</image:title>
      <image:caption>Installation view in A World Of One's Own, Art Gallery of Ballarat, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/038150c0-33a9-4452-b732-ec5a4606ca53/Megan+Cope+-+Age+of+Enlightenment+-+Install+View+-+Ballarat+Art+Gallery.jpg</image:loc>
      <image:title>Works - Age of Entitlement</image:title>
      <image:caption>Installation view in A World Of One's Own, Art Gallery of Ballarat, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/95698023-b0f2-449b-b94c-79f60db52f9e/Megan+Cope+-+Age+of+Enlightenment+-+Install+View2+-+Ballarat+Art+Gallery.jpg</image:loc>
      <image:title>Works - Age of Entitlement</image:title>
      <image:caption>Installation view in A World Of One's Own, Art Gallery of Ballarat, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/1632280200654-GC2PESHAZDU310JFJQFD/image-asset.jpeg</image:loc>
      <image:title>Works - Age of Entitlement - Age of Entitlement 2016 Acrylic on giclée map of Cook’s Map of Discoveries 134 x 180 cm Install view in A World Of One's Own, Art Gallery of Ballarat Courtesy the artist and Milani Gallery, Brisbane</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.megancope.com.au/works/yunggulba</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-09-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/1fa2b73d-9af0-4d03-9181-72e00ad61d78/lost-in-translocation-16.jpg</image:loc>
      <image:title>Works - Yunggulba (Floodtide)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/476c3d92-1e69-44ef-92e7-5fa54eb9e4b7/Megan+Cope+-+Minjerribah_2015_1000pw.jpg</image:loc>
      <image:title>Works - Yunggulba (Floodtide)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/97e0bc29-4bc6-4d3c-9904-93264b82084d/MC_MAP_2017-768x1024.jpg</image:loc>
      <image:title>Works - Yunggulba (Floodtide)</image:title>
      <image:caption>Install view, Defying Empire: 3rd National Indigenous Art Triennial, National Gallery of Australia, Canberra 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/1632288357675-WGJU3NDY4J3DHXJTJ8X1/lost-in-translocation-16.jpg</image:loc>
      <image:title>Works - Yunggulba (Floodtide) - Yunggulba (Floodtide) 2015 Giclée military map and synthetic polymer paint on canvas 2 x diptychs - 150 x 350 cm each panel, 300 x 350cm as a diptych Courtesy of the Artist and Milani Gallery, Brisbane.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.megancope.com.au/works/mining-boom</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-09-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/1632289030475-1Y3TW02RV7XLPMV3FVLY/image-asset.jpeg</image:loc>
      <image:title>Works - Mining Boom - Mining Boom Part I (Waddawurrung)  2013  55 x 35 cm  Synthetic polymer paint and indian ink on canvas  Courtesy the Artist and Milani Gallery, Brisbane</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/1632289161673-VXX6M6F8W0IFTW1I0A73/image-asset.jpeg</image:loc>
      <image:title>Works - Mining Boom - Mining Boom Part II (Dja Dja Warring) 2013  55 x 35 cm  Synthetic polymer paint and indian ink on canvas  Courtesy the Artist and Milani Gallery, Brisbane</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.megancope.com.au/works/after-the-flood-series</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-09-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/26b59d04-6f44-491f-8694-302a710f91a7/MC_BoonWurrung+2_2015.jpg</image:loc>
      <image:title>Works - After the Flood (series)</image:title>
      <image:caption>After the Flood (Boon Wurrung) 2014 81 x 55 cm Synthetic polymer paint and indian ink on canvas Courtesy the Artist and Milani Gallery, Brisbane</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/d26871dc-a6d6-4112-a399-647b323b11d7/megan-cope-Mega-Cope-BoonWurrung-1000pw-682x1024.jpg</image:loc>
      <image:title>Works - After the Flood (series)</image:title>
      <image:caption>After the Flood (Boon Wurrung) 2014 81 x 55 cm Synthetic polymer paint and indian ink on canvas Courtesy the Artist and Milani Gallery, Brisbane</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/9818d6a9-c3c0-4c12-a531-80c3a6f0fd95/megan-cope-Megan-Cope-Yalukit-Willam-2014-1000pw-768x1024.jpg</image:loc>
      <image:title>Works - After the Flood (series)</image:title>
      <image:caption>After the Flood (Yalukit Willam) 2014 81 x 55 cm Synthetic polymer paint and indian ink on canvas Courtesy the Artist and Milani Gallery, Brisbane</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/b9d5adb9-f4c5-495e-8ae7-ccc03fa14e58/MC_YalukitWillam+2_2015.jpg</image:loc>
      <image:title>Works - After the Flood (series)</image:title>
      <image:caption>After the Flood (Yalukit Willam) 2014 81 x 55 cm Synthetic polymer paint and indian ink on canvas Courtesy the Artist and Milani Gallery, Brisbane</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/ff07b4d4-a89c-42ef-843c-297ae68b651c/Megan+Cope%2C+After+the+Flood+%28untitled+II%29%2C+2011%2C+Indian+ink+and+metallic+paint+on+canvas.JPG</image:loc>
      <image:title>Works - After the Flood (series)</image:title>
      <image:caption>After the Flood (untitled II) 2011 Indian ink and metallic paint on canvas 81 x 55 cm Courtesy the Artist and Milani Gallery, Brisbane</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/39669433-0ce5-4ed8-ab26-fa39d82f834b/Megan+Cope%2C+%27Untitled+%28After+the+flood%29+Bullet%27+for+Babana+Men%27s+Group+Fundraiser%2C+2014.jpg</image:loc>
      <image:title>Works - After the Flood (series)</image:title>
      <image:caption>Untitled (After the flood) Bullet for Babana Men's Group Fundraiser, 2014 Photo courtesy the Artist and Milani Gallery, Brisbane</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/1632289818449-UWZKTS7KPOIOZ0OXP1C1/MC_YalukitWillam+5_2015.JPG</image:loc>
      <image:title>Works - After the Flood (series) - After the Flood (Yalukit Willam) 2014 81 x 55 cm Synthetic polymer paint and indian ink on canvas Courtesy the artist and Milani Gallery, Brisbane</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.megancope.com.au/works/untitled-boon-wurrung</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-09-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/cfecd97d-26aa-47d9-8ab6-58a8053a4ee0/MC_MPRG_4.jpg</image:loc>
      <image:title>Works - Untitled (Boon Wurrung)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/ccad9e49-43ec-4abd-8893-e4a3041828ec/MC_MPRG_5.jpg</image:loc>
      <image:title>Works - Untitled (Boon Wurrung)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/f38550c5-b801-48a2-b4b9-46c6271424bf/MC_MPRG_7.jpg</image:loc>
      <image:title>Works - Untitled (Boon Wurrung)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/1632291264694-UK0R5MV191N2D9RKGOVN/MC_MPRG_4.jpg</image:loc>
      <image:title>Works - Untitled (Boon Wurrung) - Untitled (Boon Wurrung) 2017 Hand painted geological map on wallpaper Installation image in Coast: the artists’ retrest at Mornington Peninsula Regional Gallery Courtesy of the artist and Milani Gallery, Brisbane</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.megancope.com.au/works/the-empire-strikes-black-i-ii</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-09-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/93448ebe-5cdb-42ee-afc6-c4f5fd14b561/Gertrude+Contemporary+-+Great+Movements-104.jpg</image:loc>
      <image:title>Works - The Empire Strikes Black I &amp; II</image:title>
      <image:caption>The Empire Strikes Black I (Some Animals Are More Equal Than Others) &amp; II (Self Determination) 2018 Installation view at Gertrude Contemporary Courtesy of the artist and Milani Gallery, Brisbane</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/7ff5fdee-fdd0-4a7a-99fc-e5b66d29ebad/Gertrude%2BContemporary%2B-%2BGreat%2BMovements-165.jpg</image:loc>
      <image:title>Works - The Empire Strikes Black I &amp; II</image:title>
      <image:caption>The Empire Strikes Black I (Some Animals Are More Equal Than Others) 2018 Dimensions: Two panels, 122cm h x 160cm w each Anamorphic text, glow mineral on board with timed strobe light Courtesy of the artist and Milani Gallery, Brisbane</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/05294817-291a-49fa-9c23-ceed00cb8ce3/MC_Gertrude.JPG</image:loc>
      <image:title>Works - The Empire Strikes Black I &amp; II</image:title>
      <image:caption>The Empire Strikes Black II (Self Determination) 2018 104 x 48 cm (approx.) Oodgeroo (paperbark), Ochre and Beeswax Courtesy of the artist and Milani Gallery, Brisbane</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/7b428b36-1b74-4d78-926e-df3102b92ede/MC_Gertrude2.JPG</image:loc>
      <image:title>Works - The Empire Strikes Black I &amp; II</image:title>
      <image:caption>The Empire Strikes Black II (Self Determination) 2018 104 x 48 cm (approx.) Oodgeroo (paperbark), Ochre and Beeswax Courtesy of the artist and Milani Gallery, Brisbane</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/1632356810385-OH3FLV0NRHOFDM3492LF/image-asset.jpeg</image:loc>
      <image:title>Works - The Empire Strikes Black I &amp; II - The Empire Strikes Black I (Some Animals Are More Equal Than Others)  2018 Dimensions: Two panels, 122cm h x 160cm w each Anamorphic text, glow mineral on board with timed strobe light Courtesy of the artist and Milani Gallery, Brisbane The Empire Strikes Black II (Self Determination) 2018  104 x 48 cm (approx.) Oodgeroo (paperbark), Ochre and Beeswax Courtesy of the artist and Milani Gallery, Brisbane</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.megancope.com.au/works/barracoon</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-09-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/b84e5bc7-14fd-4373-8edb-c986dbf38d07/Megan+Cope%2C+%27Barracoon%27%2C+2017.+Bamboo%2C+string+and+shredded+legal+documents+woven+into+the+structure.+Install+view%2C+Another+Day+in+Paradise+at+Campbelltown+Arts+Centre%2C+2017+%281%29.jpeg</image:loc>
      <image:title>Works - Untitled (Barracoon)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/948b4ea4-8b0a-45bb-ac39-451930023642/Megan+Cope%2C+%27Barracoon%27%2C+2017.+Bamboo%2C+string+and+shredded+legal+documents+woven+into+the+structure.+Install+view%2C+Another+Day+in+Paradise+at+Campbelltown+Arts+Centre%2C+2017.jpeg</image:loc>
      <image:title>Works - Untitled (Barracoon)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/47dbdad1-052e-4ae3-9192-6f469a955864/2362.jpg</image:loc>
      <image:title>Works - Untitled (Barracoon)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/1632357679673-NVY5BYFG9S3N2EF874X9/image-asset.jpeg</image:loc>
      <image:title>Works - Untitled (Barracoon) - Untitled (Barracoon) 2017 Bamboo, rope and shredded legal documents from the Royal commission into Aboriginal Deaths in Custody and the Indonesian Supreme Court judicial review. 2.5 x 3.2 x 2.45 m Courtesy of the artist and Milani Gallery, Brisbane</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.megancope.com.au/works/boo</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-09-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/e4f43ce5-f4ee-4ef2-a779-685974656676/MC_DeadRinger2_2015.jpg</image:loc>
      <image:title>Works - BOO!</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/c7622420-167f-4712-b89c-7994d4cac5df/MC_DeadRinger1_2015.jpg</image:loc>
      <image:title>Works - BOO!</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/c0a15ea1-75e3-4c41-84f2-c106950a9a0f/MC_DeadRinger3_2015.jpg</image:loc>
      <image:title>Works - BOO!</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/1632358652108-9P00U1XQJEKZWK00K8XD/MC_DeadRinger1_2015.jpg</image:loc>
      <image:title>Works - BOO! - Boo! 2015 Wall text, glow in the dark paint  480 cm x 847 cm Install view, Dead Ringer, Perth Institute of Contemporary Arts, 2015 Courtesy the artist and Milani Gallery, Brisbane Photo by Alessandro Bianchetti</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.megancope.com.au/works/discover-your-aboriginality</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-09-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/7907d6fd-2d4b-432f-8e82-8708e42dcfa5/Megan+Cope+-+Discover+Your+Aboriginality%E2%84%A2_2016_1.jpg</image:loc>
      <image:title>Works - Discover Your Aboriginality™</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/71190ca0-80a0-483d-a264-280b38625865/Megan+Cope+-+Discover+Your+Aboriginality%E2%84%A2_2016_11.jpg</image:loc>
      <image:title>Works - Discover Your Aboriginality™</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/2b38b863-7f5d-4834-939b-6007fd225d69/Megan+Cope+-+Discover+Your+Aboriginality%E2%84%A2_2016_3.jpg</image:loc>
      <image:title>Works - Discover Your Aboriginality™</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/11eebd77-2ff4-4680-822c-6127aaef50e4/Megan+Cope+-+Discover+Your+Aboriginality%E2%84%A2_2016_2.jpg</image:loc>
      <image:title>Works - Discover Your Aboriginality™</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/35df79af-2bef-4d4c-a83c-9337d904d395/Megan+Cope+Discover+Your+Aboriginality%E2%84%A2.+2016_2.jpg</image:loc>
      <image:title>Works - Discover Your Aboriginality™</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/88c5dc1c-3f85-47d6-b5f6-b9fa790c9e7b/Megan+Cope+-+Discover+Your+Aboriginality%E2%84%A2_2016_9.jpg</image:loc>
      <image:title>Works - Discover Your Aboriginality™</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/1632364247739-R35PGAC49VO3JYL4Z9WF/image-asset.png</image:loc>
      <image:title>Works - Discover Your Aboriginality™ - Discover Your Aboriginality™ 2016 Site-specific installation and performance work Framed artwork including certificate, card and Quandamooka visa, clipboards, in-trays, tests on A4 paper, pens, letter stickers, stamps, black calico, table and chair, banner Dimensions variable Courtesy the Artist and Milani Gallery, Brisbane</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.megancope.com.au/works/untitled-death-song</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-12-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/09f95b28-2ffa-4338-9f95-5416d9b63070/MeganCope+-Fractures_Frequencies+-UNSW+Galleries+-+Sydney+Festival+-+Documentation+Curtesy+of+Zan+Wimberley+-+1.jpg</image:loc>
      <image:title>Works - Untitled (Death Song)</image:title>
      <image:caption>Installation view of Untitled (Death Song) in Megan Cope: Fractures and Frequencies, UNSW Galleries, 2021. Photograph by Zan Wimberley</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/582bc825-8641-4fea-b792-a99c4869f5be/PdT+2022-R%C3%A9clamer+la+Terre-129.jpg</image:loc>
      <image:title>Works - Untitled (Death Song)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/6079f8de-c841-4cb6-8cab-db1447249a33/MeganCope+-Fractures_Frequencies+-UNSW+Galleries+-+Sydney+Festival+-+Documentation+Curtesy+of+Zan+Wimberley+-11.jpg</image:loc>
      <image:title>Works - Untitled (Death Song)</image:title>
      <image:caption>Installation view of Untitled (Death Song) in Megan Cope: Fractures and Frequencies, UNSW Galleries, 2021. Photograph by Zan Wimberley</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/eda59e84-981f-4fbd-9709-b7f951ef8c17/Pdt+2022-R%C3%A9clamer+la+Terre-011.jpg</image:loc>
      <image:title>Works - Untitled (Death Song)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/09cbab64-155d-4a64-b36a-0a0f2661697f/Megan-Cope-Untitled-Death-Song-detail-2020-at-Adelaide-Biennial-Art-Gallery-of-South-Australia.-Photo-by-Saul-Steed-1024x683-1.jpg</image:loc>
      <image:title>Works - Untitled (Death Song)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/1625812844834-ZT23ORJ8NNNQ09UD5BU1/Adelaide-Biennial-Death-Song-2-Megan-Cope-Photo-Saul-Steed.jpg</image:loc>
      <image:title>Works - Untitled (Death Song)</image:title>
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      <image:title>Works - Untitled (Death Song)</image:title>
      <image:caption>Installation view of Untitled (Death Song) in Megan Cope: Fractures and Frequencies, UNSW Galleries, 2021. Photograph by Zan Wimberley</image:caption>
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      <image:title>Works - Untitled (Death Song)</image:title>
      <image:caption>Installation view of Untitled (Death Song) in Megan Cope: Fractures and Frequencies, UNSW Galleries, 2021. Photograph by Zan Wimberley</image:caption>
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      <image:title>Works - Untitled (Death Song)</image:title>
      <image:caption>Installation view of Untitled (Death Song) in Megan Cope: Fractures and Frequencies, UNSW Galleries, 2021. Photograph by Zan Wimberley</image:caption>
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      <image:title>Works - Untitled (Death Song)</image:title>
      <image:caption>Installation view of Untitled (Death Song) in Megan Cope: Fractures and Frequencies, UNSW Galleries, 2021. Photograph by Zan Wimberley</image:caption>
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      <image:title>Works - Untitled (Death Song)</image:title>
      <image:caption>Installation view of Untitled (Death Song) in Megan Cope: Fractures and Frequencies, UNSW Galleries, 2021. Photograph by Zan Wimberley</image:caption>
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      <image:title>Works - Untitled (Death Song)</image:title>
      <image:caption>Installation view of Untitled (Death Song) in Megan Cope: Fractures and Frequencies, UNSW Galleries, 2021. Photograph by Zan Wimberley</image:caption>
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      <image:title>Works - Untitled (Death Song)</image:title>
      <image:caption>Installation view of Untitled (Death Song) in Megan Cope: Fractures and Frequencies, UNSW Galleries, 2021. Photograph by Zan Wimberley</image:caption>
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      <image:title>Works - Untitled (Death Song)</image:title>
      <image:caption>Installation view of Untitled (Death Song) in Megan Cope: Fractures and Frequencies, UNSW Galleries, 2021. Photograph by Zan Wimberley</image:caption>
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      <image:title>Works - Untitled (Death Song)</image:title>
      <image:caption>Installation view of Untitled (Death Song) in Megan Cope: Fractures and Frequencies, UNSW Galleries, 2021. Photograph by Zan Wimberley</image:caption>
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      <image:title>Works - Untitled (Death Song) - Untitled (Death Song) 2022 Exposition Réclamer la terre, Palais de Tokyo (15.04.2022 – 04.09.2022). Photographs: Aurélien Mole</image:title>
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  <url>
    <loc>https://www.megancope.com.au/works/re-formation-part-iii</loc>
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    <lastmod>2021-09-15</lastmod>
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      <image:title>Works - RE FORMATION - Part III (Noogoon/St Helena Island)</image:title>
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      <image:title>Works - RE FORMATION - Part III (Noogoon/St Helena Island)</image:title>
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      <image:title>Works - RE FORMATION - Part III (Noogoon/St Helena Island)</image:title>
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      <image:title>Works - RE FORMATION - Part III (Noogoon/St Helena Island)</image:title>
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      <image:title>Works - RE FORMATION - Part III (Noogoon/St Helena Island)</image:title>
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      <image:title>Works - RE FORMATION - Part III (Noogoon/St Helena Island) - RE FORMATION part III (Noogoon / St Helena Island), 2019 Hand-cast concrete oyster shells, copper slag Image courtesy of the Artist and Milani Gallery, Brisbane Photograph by Natasha Harth, QAGOMA</image:title>
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  <url>
    <loc>https://www.megancope.com.au/works/foundations-iii</loc>
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    <priority>0.5</priority>
    <lastmod>2021-09-15</lastmod>
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      <image:title>Works - Foundations III</image:title>
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      <image:title>Works - Foundations III</image:title>
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      <image:title>Works - Foundations III</image:title>
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      <image:title>Works - Foundations III</image:title>
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      <image:title>Works - Foundations III</image:title>
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      <image:title>Works - Foundations III</image:title>
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      <image:title>Works - Foundations III - Foundations III 2020 Oyster shells and cast concrete. 400 pieces. Dimensions variable. Courtesy of the artist and Milani Gallery, Brisbane</image:title>
      <image:caption>Foundations III has been acquired by the Museum of Contemporary Art Australia. Purchased with funds provided by the MCA Foundation, 2020</image:caption>
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    <loc>https://www.megancope.com.au/works/currents-iii-freshwater-studies</loc>
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    <lastmod>2021-09-15</lastmod>
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      <image:title>Works - Currents III (freshwater studies)</image:title>
      <image:caption>Photo by Yasmin Smith</image:caption>
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      <image:title>Works - Currents III (freshwater studies)</image:title>
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      <image:title>Works - Currents III (freshwater studies)</image:title>
      <image:caption>Photo by Yasmin Smith</image:caption>
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    <image:image>
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      <image:title>Works - Currents III (freshwater studies)</image:title>
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      <image:title>Works - Currents III (freshwater studies)</image:title>
      <image:caption>Photo by Yasmin Smith</image:caption>
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      <image:title>Works - Currents III (freshwater studies)</image:title>
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      <image:title>Works - Currents III (freshwater studies)</image:title>
      <image:caption>Photo by Yasmin Smith</image:caption>
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      <image:title>Works - Currents III (freshwater studies)</image:title>
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      <image:title>Works - Currents III (freshwater studies)</image:title>
      <image:caption>Photo by Andrew Rankin</image:caption>
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      <image:title>Works - Currents III (freshwater studies)</image:title>
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      <image:title>Works - Currents III (freshwater studies)</image:title>
      <image:caption>Photo by Andrew Rankin</image:caption>
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      <image:title>Works - Currents III (freshwater studies)</image:title>
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      <image:title>Works - Currents III (freshwater studies)</image:title>
      <image:caption>Photo by Andrew Rankin</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/5304099c-8243-44b3-83f6-87b81c80bc62/In-the-Air---MUMA-%28webres%29-15.jpg</image:loc>
      <image:title>Works - Currents III (freshwater studies)</image:title>
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      <image:title>Works - Currents III (freshwater studies)</image:title>
      <image:caption>Photo by Andrew Rankin</image:caption>
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      <image:title>Works - Currents III (freshwater studies)</image:title>
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      <image:title>Works - Currents III (freshwater studies)</image:title>
      <image:caption>Photo by Andrew Rankin</image:caption>
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      <image:title>Works - Currents III (freshwater studies)</image:title>
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      <image:title>Works - Currents III (freshwater studies)</image:title>
      <image:caption>Photo by Andrew Rankin</image:caption>
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      <image:title>Works - Currents III (freshwater studies)</image:title>
      <image:caption>Photo by Andrew Rankin</image:caption>
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      <image:title>Works - Currents III (freshwater studies)</image:title>
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      <image:title>Works - Currents III (freshwater studies)</image:title>
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      <image:title>Works - Currents III (freshwater studies) - Currents III (freshwater studies) 2020-21 Live pH painting with natural dye from Red Cabbage, Turmeric, Blueberries, Butterfly Pea Flowers and Rose. Handmade paper with Blue-Green Algae, plant fibre and cotton rag. Vinyl wallpaper map; g rape vine, jute, banana palm, coconut fibre, recycled crab pots, wire and cotton cord, nylon cord. Dimensions variable  c ourtesy of the Artist and Milani Gallery, Brisbane Photo by Andrew Rankin</image:title>
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    <lastmod>2021-09-15</lastmod>
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      <image:title>Works - Currents I &amp; II</image:title>
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      <image:title>Works - Currents I &amp; II</image:title>
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      <image:title>Works - Currents I &amp; II</image:title>
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      <image:title>Works - Currents I &amp; II</image:title>
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      <image:title>Works - Currents I &amp; II</image:title>
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      <image:title>Works - Currents I &amp; II</image:title>
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      <image:title>Works - Currents I &amp; II</image:title>
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      <image:title>Works - Currents I &amp; II</image:title>
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      <image:title>Works - Currents I &amp; II - Currents I  2016 Fishing net, Ephemeral ice core (vegetable extract), marine shells (oysters, cockles, mussels and abalone), Giclée map and acrylic on canvas mounted on board. Dimensions variable. Courtesy of the Artist and Milani Gallery, Brisbane. Installation View at Manly Art Gallery</image:title>
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      <image:title>Works - Currents I &amp; II - Currents II 2018 Ephemeral ice core, vegetable extract, found net, marine shells (oysters, cockles, mussels and abalone), Giclée map and acrylic on canvas mounted on board. Dimensions variable Courtesy the artist and Milani Gallery, Brisbane Documentation by Robin Hearfield</image:title>
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    <loc>https://www.megancope.com.au/works/re-formation-part-iii-dubbagullee</loc>
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    <lastmod>2021-09-15</lastmod>
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      <image:title>Works - RE FORMATION - Part III (Dubbagullee)</image:title>
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      <image:title>Works - RE FORMATION - Part III (Dubbagullee)</image:title>
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      <image:title>Works - RE FORMATION - Part III (Dubbagullee)</image:title>
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      <image:title>Works - RE FORMATION - Part III (Dubbagullee)</image:title>
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      <image:title>Works - RE FORMATION - Part III (Dubbagullee) - RE FORMATION Part III (Dubbagullee), 2017 Concrete oyster middens in limenite Commissioned by The National: New Australian Art - Art Gallery of NSW Courtesy of the Artist and Milani Gallery, Brisbane Photo by Felicity Jenkins, AGNSW</image:title>
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    <loc>https://www.megancope.com.au/works/the-tide-waits-for-no-one</loc>
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    <priority>0.5</priority>
    <lastmod>2026-03-16</lastmod>
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      <image:title>Works - The Tide Waits for No One</image:title>
      <image:caption>The Tide Waits for No One, 2020/21. Documentation curtesy of Brenton McGeachie</image:caption>
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      <image:title>Works - The Tide Waits for No One</image:title>
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      <image:title>Works - The Tide Waits for No One</image:title>
      <image:caption>The Tide Waits for No One, 2020/21. Documentation curtesy of Brenton McGeachie</image:caption>
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      <image:title>Works - The Tide Waits for No One</image:title>
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      <image:title>Works - The Tide Waits for No One</image:title>
      <image:caption>The Tide Waits for No One, 2020/21. Documentation curtesy of Brenton McGeachie</image:caption>
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      <image:title>Works - The Tide Waits for No One</image:title>
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      <image:title>Works - The Tide Waits for No One</image:title>
      <image:caption>The Tide Waits for No One, 2020/21. Documentation curtesy of Brenton McGeachie</image:caption>
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    <image:image>
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      <image:title>Works - The Tide Waits for No One</image:title>
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      <image:title>Works - The Tide Waits for No One</image:title>
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      <image:title>Works - The Tide Waits for No One - The Tide Waits for No-One, 2020–21, 250 kiln cast television glass yungan (dugong) bones, mineral sand, dimensions variable. Courtesy of the artist and Milani Gallery, Meanjin/Brisbane. Photo: Brenton McGeachie.</image:title>
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  <url>
    <loc>https://www.megancope.com.au/works/untitled-mangrove-ghosts-i-ii</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-09-15</lastmod>
    <image:image>
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      <image:title>Works - Untitled (Mangrove Ghosts) I &amp; II - Untitled (Mangrove Ghosts) I , 2021 Engraved found antique mirror and recycled wharf timber Courtesy of the Artist and Milani Gallery, Brisbane Photography by Brenton McGeachie</image:title>
    </image:image>
    <image:image>
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      <image:title>Works - Untitled (Mangrove Ghosts) I &amp; II - Untitled (Mangrove Ghosts) II , 2021 Engraved found antique mirror and recycled wharf timber Courtesy of the Artist and Milani Gallery, Brisbane Photography by Brenton McGeachie</image:title>
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  <url>
    <loc>https://www.megancope.com.au/works/resist-revive-rehumanise</loc>
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    <priority>0.5</priority>
    <lastmod>2022-07-12</lastmod>
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      <image:title>Works - Resist, Revive, Rehumanise</image:title>
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      <image:title>Works - Resist, Revive, Rehumanise</image:title>
      <image:caption>2</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/4a330c68-fc9c-4c07-96aa-bc6132b44c5d/Glassworks_Megan_Cope_2021_05_20_041.jpg</image:loc>
      <image:title>Works - Resist, Revive, Rehumanise</image:title>
      <image:caption>3</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/eb6c4b3d-78c8-49ed-8404-5850b723356a/Glassworks_Megan_Cope_2021_05_20_039.jpg</image:loc>
      <image:title>Works - Resist, Revive, Rehumanise</image:title>
      <image:caption>4</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/69365cc1-cf53-4eb2-898d-7f7413445f37/Glassworks_Megan_Cope_2021_05_20_038.jpg</image:loc>
      <image:title>Works - Resist, Revive, Rehumanise</image:title>
      <image:caption>5</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/a0cf9212-7d1e-4346-95ec-4b420ea68117/Glassworks_Megan_Cope_2021_05_20_037.jpg</image:loc>
      <image:title>Works - Resist, Revive, Rehumanise</image:title>
      <image:caption>6</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/adcd3b55-97f2-42b0-8164-ccbd4346a169/Glassworks_Megan_Cope_2021_05_20_035.jpg</image:loc>
      <image:title>Works - Resist, Revive, Rehumanise</image:title>
      <image:caption>7</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/9592a18d-e007-4d77-bc49-bfbda71c23c6/Glassworks_Megan_Cope_2021_05_20_033.jpg</image:loc>
      <image:title>Works - Resist, Revive, Rehumanise</image:title>
      <image:caption>8</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/79935be1-a437-4fb9-a5bd-3ad621e40522/Glassworks_Megan_Cope_2021_05_20_032.jpg</image:loc>
      <image:title>Works - Resist, Revive, Rehumanise</image:title>
      <image:caption>9</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/38f05db2-ce65-40a0-aacc-e07c0f0ef79a/Glassworks_Megan_Cope_2021_05_20_030.jpg</image:loc>
      <image:title>Works - Resist, Revive, Rehumanise</image:title>
      <image:caption>10</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/5196f3d7-6c22-4d3d-ba8c-27f9ee296cb5/Glassworks_Megan_Cope_2021_05_20_029.jpg</image:loc>
      <image:title>Works - Resist, Revive, Rehumanise</image:title>
      <image:caption>11</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/b593b81d-775c-4448-9ee6-05819e1cb810/Glassworks_Megan_Cope_2021_05_20_027.jpg</image:loc>
      <image:title>Works - Resist, Revive, Rehumanise</image:title>
      <image:caption>12</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/1627520977468-GHFM30FQZEYJUAXY7RG0/Glassworks_Megan_Cope_2021_05_20_007.jpg</image:loc>
      <image:title>Works - Resist, Revive, Rehumanise - Resist, Revive, Rehumanise , 2020/21 12 hand blown and carved glass shields Dimensions variable Courtesy of the Artist and Milani Gallery, Brisbane Photography by Brenton McGeachie</image:title>
    </image:image>
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  <url>
    <loc>https://www.megancope.com.au/works/mourning-for-menindee</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-09-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/cb0bbcb7-703a-40d6-afec-76f6f651dc30/The+Image+is+not+Nothing%2C+2021%2C+documentation+by+Lucy+Foster..jpg</image:loc>
      <image:title>Works - Mourning for Menindee</image:title>
      <image:caption>The Image is not Nothing, 2021, Margaret Lawrence Gallery. Documentation by Lucy Foster</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/64bb13cd-0878-4433-926a-824cbb499692/Megan+Cope+-+Mourning+for+Menindee+-+The+Image+is+Not+Nothing+%28Concrete+Archives%29+-+2020+-+ACE+Open+-+Documentation+by+Michelle+Eabry+-+Courtesy+of+the+Artist+and+Milani+Gallery+%282%29.jpg</image:loc>
      <image:title>Works - Mourning for Menindee</image:title>
      <image:caption>Photo by Michelle Eabry</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/475220b2-0e8e-4dca-b32d-3f282e88adda/Megan+Cope+-+Mourning+for+Menindee+-+The+Image+is+Not+Nothing+%28Concrete+Archives%29+-+2020+-+ACE+Open+-+Documentation+by+Michelle+Eabry+-+Courtesy+of+the+Artist+and+Milani+Gallery+%281%29.jpg</image:loc>
      <image:title>Works - Mourning for Menindee</image:title>
      <image:caption>Photo by Michelle Eabry</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/1628728799593-3ON1GWSZ81WG2DKN1D24/Megan+Cope+-+Mourning+for+Menindee+-+The+Image+is+Not+Nothing+%28Concrete+Archives%29+-+2020+-+ACE+Open+-+Documentation+by+Michelle+Eabry+-+Courtesy+of+the+Artist+and+Milani+Gallery.jpg</image:loc>
      <image:title>Works - Mourning for Menindee - Mourning for Menindee , 2020 Wreaths (Barramundi scales and cotton flowers) decal-ed emu eggs and unfired clay platforms on circular timber plinth; 120cm diameter (plinth) x various heights (averaging 25cms). Courtesy of the Artist and Milani Gallery.</image:title>
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  <url>
    <loc>https://www.megancope.com.au/works/untitled-extractions-i-ii-ii</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-09-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/b6c4ebf5-5871-41d8-a99d-fc59bc82728e/MeganCope+-Fractures_Frequencies+-UNSW+Galleries+-+Sydney+Festival+-+Documentation+Curtesy+of+Zan+Wimberley+-17.jpg</image:loc>
      <image:title>Works - Untitled (Extractions) I, II &amp; II</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/03a6c3c7-4b5f-414a-8fc4-20c9e58f532b/MeganCope+-Fractures_Frequencies+-UNSW+Galleries+-+Sydney+Festival+-+Documentation+Curtesy+of+Zan+Wimberley+-37.jpg</image:loc>
      <image:title>Works - Untitled (Extractions) I, II &amp; II</image:title>
      <image:caption>Fractures and Frequencies; UNSW Galleries. Photographs by Zan Wimberley.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/5ec64a8a-c79b-4763-937d-6e8c548b4441/Outerspace-20211006-HR-10.jpg</image:loc>
      <image:title>Works - Untitled (Extractions) I, II &amp; II</image:title>
      <image:caption>IT’S ONLY A GIFT (IF YOU SEE IT AS A GIFT); Outerspace Galleries. Photographs by Louis Lim</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/ad3c2075-5f27-49d1-9175-a525360095ac/48.+3_Megan+Cope.jpg</image:loc>
      <image:title>Works - Untitled (Extractions) I, II &amp; II</image:title>
      <image:caption>Megan Cope, Untitled (Extractions II), Installation view Te Au: Liquid Constituencies. Concrete, pacific oyster shells, abalone shell. Courtesy of the artist and Milani Gallery, Brisbane. Photo: Bryan James.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/1cda648b-5808-43d8-855b-2e81093e3b65/MeganCope+-Fractures_Frequencies+-UNSW+Galleries+-+Sydney+Festival+-+Documentation+Curtesy+of+Zan+Wimberley+-16.jpg</image:loc>
      <image:title>Works - Untitled (Extractions) I, II &amp; II</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/1803b73e-424b-4cdf-a1d0-9d4a4a4df68e/MeganCope+-Fractures_Frequencies+-UNSW+Galleries+-+Sydney+Festival+-+Documentation+Curtesy+of+Zan+Wimberley+-14.jpg</image:loc>
      <image:title>Works - Untitled (Extractions) I, II &amp; II</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/86c9641d-050d-41a8-8c18-19e15f303ff9/webCOR23162-1.jpg</image:loc>
      <image:title>Works - Untitled (Extractions) I, II &amp; II</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/390e7daa-537b-47bf-920b-2c786b73e2e5/49.+3_Megan+Cope.jpg</image:loc>
      <image:title>Works - Untitled (Extractions) I, II &amp; II</image:title>
      <image:caption>Megan Cope, Untitled (Extractions II), Installation view Te Au: Liquid Constituencies. Concrete, pacific oyster shells, abalone shell. Courtesy of the artist and Milani Gallery, Brisbane. Photo: Bryan James.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/f477a311-ddde-4ce2-ab2f-83b0bf0cfd6c/MeganCope+-Fractures_Frequencies+-UNSW+Galleries+-+Sydney+Festival+-+Documentation+Curtesy+of+Zan+Wimberley+-21.jpg</image:loc>
      <image:title>Works - Untitled (Extractions) I, II &amp; II</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/8da9ee21-3779-404d-940a-9bf7a9a08c0b/MeganCope+-Fractures_Frequencies+-UNSW+Galleries+-+Sydney+Festival+-+Documentation+Curtesy+of+Zan+Wimberley+-35.jpg</image:loc>
      <image:title>Works - Untitled (Extractions) I, II &amp; II</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/5c8bafb5-4caa-4572-85d8-03159668fe80/Outerspace-20211006-HR-17.jpg</image:loc>
      <image:title>Works - Untitled (Extractions) I, II &amp; II</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/cb7eeed6-be58-491d-a551-eecf3932b5a2/webCOR23168-1.jpg</image:loc>
      <image:title>Works - Untitled (Extractions) I, II &amp; II</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/1649f4c8-2870-469b-b233-83a7074e8f3f/webCOR23161-1.jpg</image:loc>
      <image:title>Works - Untitled (Extractions) I, II &amp; II</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/5424cce6-d6f7-456f-b9a2-027bd1f33025/50.+3_Megan+Cope.jpg</image:loc>
      <image:title>Works - Untitled (Extractions) I, II &amp; II</image:title>
      <image:caption>Megan Cope, Untitled (Extractions II), Installation view Te Au: Liquid Constituencies. Concrete, pacific oyster shells, abalone shell. Courtesy of the artist and Milani Gallery, Brisbane. Photo: Bryan James.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/fc53714b-6090-4174-b098-7b07480509be/MeganCope+-Fractures_Frequencies+-UNSW+Galleries+-+Sydney+Festival+-+Documentation+Curtesy+of+Zan+Wimberley+-19.jpg</image:loc>
      <image:title>Works - Untitled (Extractions) I, II &amp; II</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/f3712510-3a0a-42cd-b2d7-4f9487ed86cc/Outerspace-20211006-HR-13.jpg</image:loc>
      <image:title>Works - Untitled (Extractions) I, II &amp; II</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/f474148b-1c41-473b-9fa2-913cb790f458/Outerspace-20211006-HR-29.jpg</image:loc>
      <image:title>Works - Untitled (Extractions) I, II &amp; II</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/5909f5f4-c307-43a1-ac76-1b836fbc3bbf/webCOR23157-1.jpg</image:loc>
      <image:title>Works - Untitled (Extractions) I, II &amp; II</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/f89700d9-f605-41dd-9be3-bcdf1d78af0f/51.+3_Megan+Cope.jpg</image:loc>
      <image:title>Works - Untitled (Extractions) I, II &amp; II</image:title>
      <image:caption>Megan Cope, Untitled (Extractions II), Installation view Te Au: Liquid Constituencies. Concrete, pacific oyster shells, abalone shell. Courtesy of the artist and Milani Gallery, Brisbane. Photo: Bryan James.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/2f0aed06-bd37-4820-90cb-d8e015d45206/MeganCope+-Fractures_Frequencies+-UNSW+Galleries+-+Sydney+Festival+-+Documentation+Curtesy+of+Zan+Wimberley+-20.jpg</image:loc>
      <image:title>Works - Untitled (Extractions) I, II &amp; II</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/c25ecdec-f8aa-4354-8f99-dd96af3b06c5/webCOR23147-5.jpg</image:loc>
      <image:title>Works - Untitled (Extractions) I, II &amp; II</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/f7e0df30-1947-474e-a3ef-218427d671b4/52.+3_Megan+Cope.jpg</image:loc>
      <image:title>Works - Untitled (Extractions) I, II &amp; II</image:title>
      <image:caption>Megan Cope, Untitled (Extractions II), Installation view Te Au: Liquid Constituencies. Concrete, pacific oyster shells, abalone shell. Courtesy of the artist and Milani Gallery, Brisbane. Photo: Bryan James.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/34a9a41f-441b-40f6-b0c6-131491d04189/MeganCope+-Fractures_Frequencies+-UNSW+Galleries+-+Sydney+Festival+-+Documentation+Curtesy+of+Zan+Wimberley+-22.jpg</image:loc>
      <image:title>Works - Untitled (Extractions) I, II &amp; II</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/e03ba1b5-3eda-4b67-81f0-ea3f5064daa8/53.+3_Megan+Cope.jpg</image:loc>
      <image:title>Works - Untitled (Extractions) I, II &amp; II</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/1628038877912-WTXN4WR10D3LI3B2H5Z2/image-asset.jpeg</image:loc>
      <image:title>Works - Untitled (Extractions) I, II &amp; II - Untitled (Extractions l) 2020 Core drilled Cement plug, aggregate, pink acrylic spray paint, beeswax 214 pieces - 70mm x 110mm Courtesy of the Artist and Milani Gallery, Brisbane. Photograph by Zan Wimberley</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/1628043464694-O3LQLIFZSE5OQUU3YK2Z/image-asset.jpeg</image:loc>
      <image:title>Works - Untitled (Extractions) I, II &amp; II - Untitled (Extractions Il) 2020 Concrete, pacific oyster shells, abalone shell. D imensions variable Courtesy of the Artist and Milani Gallery Photography by Zan Wimberley</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/1628043557412-I180X7E8IEC5RK39EHOJ/image-asset.jpeg</image:loc>
      <image:title>Works - Untitled (Extractions) I, II &amp; II - Untitled (Extractions lII) 2021 Cement, coloured oxide, abalone shell. Dimensions variable Courtesy of the Artist and Milani Gallery Photography by Zan Wimberley</image:title>
    </image:image>
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  <url>
    <loc>https://www.megancope.com.au/works/deadwood</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-12-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/1628136257187-PF8HXRIIH9BU5I1U27YN/Megan+Cope+-+Dead+wood+-+Occurrent+Affair%3B+ProppaNow+-+2020+-+UQAM+-+Documentation+by+Carl+Warner+-+Courtesy+of+the+Artist+and+Milani+Gallery.jpg</image:loc>
      <image:title>Works - Deadwood - Deadwood , 2021 Paperbark, beeswax, tissue paper, ink. Dimensions variable. Courtesy of the Artist and Milani Gallery, Brisbane. Photo by Carl Warner.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.megancope.com.au/works/bated-breath</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-05-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/fa64750a-25a4-436b-ae03-34ed4c1b6110/Megan+Cope+-+Bated+Breath+-+Occurrent+Affair_+ProppaNow+-+2020+-+UQAM+-+Documentation+by+Carl+Warner+-+Courtesy+of+the+Artist+and+Milani+Gallery.jpg</image:loc>
      <image:title>Works - Bated Breath</image:title>
      <image:caption>Megan Cope, Bated Breath 2021,in OCCURRENT AFFAIR, UQAM; Photo by Carl Warner</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/af6b6f47-b9fe-4a8d-a34a-8d2c059bb229/Megan+Cope+-+Bated+Breath+-+Occurrent+Affair_+ProppaNow+-+2020+-+UQAM+-+Documentation+by+Carl+Warner+-+Courtesy+of+the+Artist+and+Milani+Gallery%281%29.jpg</image:loc>
      <image:title>Works - Bated Breath</image:title>
      <image:caption>Megan Cope, Bated Breath 2021, Photo by Carl Warner</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/05cd0636-5596-48cc-bc96-1ddc21645d50/Megan+Cope+-+Bated+Breath+-+Occurrent+Affair_+ProppaNow+-+2020+-+UQAM+-+Documentation+by+Carl+Warner+-+Courtesy+of+the+Artist+and+Milani+Gallery%282%29.jpg</image:loc>
      <image:title>Works - Bated Breath</image:title>
      <image:caption>Megan Cope, Bated Breath 2021, Photo by Carl Warner</image:caption>
    </image:image>
    <image:image>
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      <image:title>Works - Bated Breath - Bated Breath , 2021 Stoneware, acrylic, steel, steel wire Courtesy of the Artist and Milani Gallery, Brisbane Photo by Carl Warner</image:title>
    </image:image>
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  <url>
    <loc>https://www.megancope.com.au/works/arsenal</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
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      <image:title>Works - Foundations I &amp; II</image:title>
      <image:caption>Installation view, 'Material Politics', Institute of Modern Art, 2017. Photo by Carl Warner. In view (l-r): Megan Cope, ‘Foundations II’, 2016; Tintin Wulia, ‘172 Kilograms of Homes for Ate Manang’, 2017; Raquel Ormella, ‘I’m worried this will become a slogan’, 1999-2009</image:caption>
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      <image:caption>Foundations I, Installation view at Artspace, Sydney in 'Bereft'. Photo by Jessica Maurer</image:caption>
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      <image:caption>Foundations I, Installation view at Artspace, Sydney in 'Bereft'. Photo by Jessica Maurer</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/1630463394463-DFCC63LX0ZG79JKDPJPY/Megan+Cope%2C+Foundations+I+2016.+Shown+as+part+of+Code+Switch+at+Blak+Dot+Gallery+2019.+Photo+James+Henry.jpg</image:loc>
      <image:title>Works - Foundations I &amp; II - Foundations I  2016 Oyster shells and cast concrete. Dimensions variable. Courtesy of the artist and Milani Gallery, Brisbane Installation view in Code Switch at Blak Dot Gallery, 2019 Photo by James Henry</image:title>
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      <image:title>Works - Foundations I &amp; II - Foundations II  2016 Oyster shells and cast concrete. Dimensions variable. Courtesy of the artist and Milani Gallery, Brisbane Material Place: Reconsidering Australian Landscapes, UNSW Galleries Photo by Zan Wimberley</image:title>
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      <image:caption>Megan Cope performing with Eric Avery and Amrita Hepi</image:caption>
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      <image:title>Works - Untitled (Old Kahibah) - Untitled (Old Kahibah) 2018 Maps on vinyl, sound extraction and abstraction, sourced rocks and hollowed timber; violin, cello and bass strings. Dimensions variable. Photograph by Zan Wimberley of installation is Megan Cope: Fractures and Frequencies at UNSW Gallery. Courtesy of the artist and Milani Gallery, Brisbane</image:title>
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      <image:title>Public Art - Weelam Ngalut (Our Place) - Weelam Ngalut (Our Place)  2018  Series of Sculptural elements embedded into the landscape: Language Words around Garden Beds; Brass Pathway of Gum leaves clusters; Concrete impressions. Tarnuk: Cast Bronze Sculpture from original Tarnuk in Museum Victoria Collection Monash University, Clayton campus, Victoria.</image:title>
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    <loc>https://www.megancope.com.au/public-art/after-the-flood</loc>
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    <lastmod>2021-09-15</lastmod>
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      <image:title>Public Art - After the Flood</image:title>
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    <image:image>
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      <image:title>Public Art - After the Flood</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/4fb904ee-eb4d-47d4-b576-5e5b6383c6fb/2_AfterTheFlood_JamesCookUniversity_UAP_COXARCHITECTS_IMAGE+CREDIT_ANDREW+RANKIN.jpg.jpg</image:loc>
      <image:title>Public Art - After the Flood</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/a9ee722b-ecfb-4009-ada6-03a56febd089/6_AfterTheFlood_JamesCookUniversity_UAP_COXARCHITECTS_IMAGE+CREDIT_ANDREW+RANKIN.jpg</image:loc>
      <image:title>Public Art - After the Flood</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/0a251e33-2ac9-4231-aef4-ad37fd75a008/1_AfterTheFlood_JamesCookUniversity_UAP_COXARCHITECTS_IMAGE+CREDIT_ANDREW+RANKIN.jpg.jpg</image:loc>
      <image:title>Public Art - After the Flood</image:title>
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      <image:title>Public Art - After the Flood</image:title>
      <image:caption>Megan Cope. After the flood 2020 Photograph: Andrew Rankin</image:caption>
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    <image:image>
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      <image:title>Public Art - After the Flood</image:title>
      <image:caption>Megan Cope. After the flood 2020 Photograph: Andrew Rankin</image:caption>
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      <image:title>Public Art - After the Flood</image:title>
      <image:caption>Megan Cope. After the flood 2020 Photograph: Andrew Rankin</image:caption>
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    <image:image>
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      <image:title>Public Art - After the Flood - After the Flood 2020 (Detail) Commissioned by James Cook University for the Central Plaza meeting place, JCU Townsville Campus.</image:title>
      <image:caption>Megan Cope. After the flood 2020 Photograph: Andrew Rankin</image:caption>
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    <lastmod>2021-09-15</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/208b7a45-d397-4f4d-9cc3-e499aeee9810/2418c-megan-cope-megan-cope-boykambil-ti2goldcoast1-1000pw.jpg</image:loc>
      <image:title>Public Art - Toponymic Interventions</image:title>
      <image:caption>Megan Cope, Boykambil, 2013; Video projection (still)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/91552c26-ef64-4319-bfc4-5b3412643104/74815-megan-cope-megan-cope-nimbulima-1000pw.jpg</image:loc>
      <image:title>Public Art - Toponymic Interventions</image:title>
      <image:caption>Megan Cope, Nimbulima Ngolongmai, 2013; Video projection (still)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/e4a17d6a-3e98-4aa8-a367-dc6cf6a4f75f/97126-megan-cope-megan-cope-yugambeh-1000pw.jpg</image:loc>
      <image:title>Public Art - Toponymic Interventions</image:title>
      <image:caption>Megan Cope, Yugambeh, 2013; Video projection (still)</image:caption>
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    <image:image>
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      <image:title>Public Art - Toponymic Interventions</image:title>
      <image:caption>Megan Cope, Tuleen, 2013; Video projection (still)</image:caption>
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    <image:image>
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      <image:title>Public Art - Toponymic Interventions - Megan Cope, Nimbulima Ngolongmai, 2013 Video projection (still)</image:title>
      <image:caption>Megan Cope. After the flood 2020 Photograph: Andrew Rankin</image:caption>
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    <loc>https://www.megancope.com.au/public-art/makin-waves</loc>
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    <lastmod>2021-09-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/456ee433-1559-4b95-baa4-72a6caeb65a2/Megan+Cope+Makin%27+Waves+2016.jpg</image:loc>
      <image:title>Public Art - Makin Waves</image:title>
      <image:caption>Megan Cope, Makin' Waves, 2016. 40 years of 3CR at Gertrude Contemporary; Installation photography by Keelan O’Hehir.</image:caption>
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    <image:image>
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      <image:title>Public Art - Makin Waves</image:title>
      <image:caption>Megan Cope, Makin' Waves, 2016. 40 years of 3CR at Gertrude Contemporary; Installation photography by Keelan O’Hehir.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/22367104-f325-430f-b4b9-77fc1e2ac5d1/Megan+Cope+and+Robbie+Thorpe.+Makin%E2%80%99+Waves+2016.jpg</image:loc>
      <image:title>Public Art - Makin Waves</image:title>
      <image:caption>Megan Cope and Robbie Thorpe; Makin’ Waves 2016</image:caption>
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    <image:image>
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      <image:title>Public Art - Makin Waves</image:title>
      <image:caption>Megan Cope, Makin' Waves, 2016. 40 years of 3CR at Gertrude Contemporary; Installation photography by Keelan O’Hehir.</image:caption>
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    <image:image>
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      <image:title>Public Art - Makin Waves</image:title>
      <image:caption>Megan Cope, Makin' Waves, 2016. 40 years of 3CR at Gertrude Contemporary; Installation photography by Keelan O’Hehir.</image:caption>
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      <image:title>Public Art - Makin Waves</image:title>
      <image:caption>Megan Cope, Makin' Waves, 2016. 40 years of 3CR at Gertrude Contemporary; Installation photography by Keelan O’Hehir.</image:caption>
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    <image:image>
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      <image:title>Public Art - Makin Waves - Makin’ Waves, 2016 Site-specific, semi-transparent vinyl map Installation view, Ua numi le fau exhibition Gertrude Contemporary, Melbourne Photograph by Keelan O’Hehir.</image:title>
      <image:caption>Megan Cope. After the flood 2020 Photograph: Andrew Rankin</image:caption>
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  <url>
    <loc>https://www.megancope.com.au/public-art/fluid-terrain</loc>
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    <lastmod>2021-09-15</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/18387966-f375-4c2e-8127-5675252b1e37/Megan+Cope%2C+Qld+b.1982+%3A+Fluid+Terrain+2012++Courtesy+and+%C2%A9-+The+artist.jpg</image:loc>
      <image:title>Public Art - Fluid Terrain</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60e58f335d696728d0c1489d/ded5c1e1-92ac-467c-a34f-5b2e0c0b8c59/Megan+Cope%2C+Qld+b.1982+%3A+Fluid+Terrain+2012+%3A+Site-specific+commission+for+QAGOMA+Courtesy+and+%C2%A9-+The+artist.jpg</image:loc>
      <image:title>Public Art - Fluid Terrain</image:title>
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      <image:title>Public Art - Fluid Terrain</image:title>
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      <image:title>Public Art - Fluid Terrain - Fluid Terrain, 2013 Transparent vinyl, 7 x 10 m Commissioned by Queensland Art Gallery / Gallery of Modern Art for ‘My Country, I Still Call Australia Home’ exhibition Courtesy of the Artist and Milani Gallery, Brisbane.</image:title>
      <image:caption>Megan Cope. After the flood 2020 Photograph: Andrew Rankin</image:caption>
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  <url>
    <loc>https://www.megancope.com.au/public-art/you-are-here-now</loc>
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    <lastmod>2023-05-12</lastmod>
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      <image:title>Public Art - You Are, Here Now</image:title>
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      <image:title>Public Art - You Are, Here Now</image:title>
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      <image:title>Public Art - You Are, Here Now</image:title>
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      <image:title>Public Art - You Are, Here Now</image:title>
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      <image:title>Public Art - You Are, Here Now - You Are, Here Now, 2015 Commissioned by Australian Catholic University</image:title>
      <image:caption>Megan Cope. After the flood 2020 Photograph: Andrew Rankin</image:caption>
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    <lastmod>2021-09-15</lastmod>
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      <image:title>Public Art - Tuccerah/Kogarah</image:title>
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      <image:title>Public Art - Tuccerah/Kogarah</image:title>
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      <image:title>Public Art - Tuccerah/Kogarah</image:title>
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      <image:title>Public Art - Tuccerah/Kogarah</image:title>
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      <image:title>Public Art - Tuccerah/Kogarah - Tuccerah/Kogarah, 2017 Large-scale printed vinyl Commissioned by St George Hospital, Kogarah, NSW Image courtesy of St George Hospital</image:title>
      <image:caption>Megan Cope. After the flood 2020 Photograph: Andrew Rankin</image:caption>
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    <loc>https://www.megancope.com.au/public-art/walangala</loc>
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    <lastmod>2021-09-15</lastmod>
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      <image:title>Public Art - Walangala</image:title>
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      <image:title>Public Art - Walangala</image:title>
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      <image:title>Public Art - Walangala</image:title>
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      <image:title>Public Art - Walangala</image:title>
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      <image:title>Public Art - Walangala - Walangala, 2020 Perforated Concrete and native swamp reeds. Dimensions Variable. Courtesy of the Artist and Milani Gallery, Brisbane Photography courtesy of Contour 556</image:title>
      <image:caption>Megan Cope. After the flood 2020 Photograph: Andrew Rankin</image:caption>
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    <loc>https://www.megancope.com.au/public-art/gundungurra-ngurra</loc>
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    <lastmod>2022-10-26</lastmod>
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      <image:title>Public Art - Gundungurra Ngurra</image:title>
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      <image:title>Public Art - Gundungurra Ngurra</image:title>
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      <image:title>Public Art - Gundungurra Ngurra</image:title>
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      <image:title>Public Art - Gundungurra Ngurra</image:title>
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      <image:title>Public Art - Gundungurra Ngurra</image:title>
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      <image:title>Public Art - Gundungurra Ngurra - Gundungurra Ngurra, 2021 Ngununggula | Retford Park, Bowral.</image:title>
      <image:caption>Megan Cope. After the flood 2020 Photograph: Andrew Rankin</image:caption>
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    <loc>https://www.megancope.com.au/public-art/what-becomes-of-the-clouds</loc>
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    <lastmod>2025-12-03</lastmod>
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      <image:title>Public Art - What Becomes of the Clouds</image:title>
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      <image:title>Public Art - What Becomes of the Clouds</image:title>
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      <image:title>Public Art - What Becomes of the Clouds</image:title>
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      <image:title>Public Art - What Becomes of the Clouds</image:title>
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      <image:title>Public Art - What Becomes of the Clouds</image:title>
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      <image:title>Public Art - What Becomes of the Clouds</image:title>
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      <image:title>Public Art - What Becomes of the Clouds</image:title>
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      <image:title>Public Art - What Becomes of the Clouds - What becomes of the clouds, 2022 80 Ann Street, Brisbane CBD</image:title>
      <image:caption>Megan Cope. After the flood 2020 Photograph: Andrew Rankin</image:caption>
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  <url>
    <loc>https://www.megancope.com.au/public-art/rematriation</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-05-11</lastmod>
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      <image:title>Public Art - Rematriation - Rematriation, 2022 Welsh Slate, UV Pigment, PVA glue. Interspecies and other others, Abbotsford Convent, VIC Image courtesy of Abbotsford Convent, photo by Mick Richards.</image:title>
      <image:caption>Megan Cope. After the flood 2020 Photograph: Andrew Rankin</image:caption>
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