Megan Cope, Whispers Midden, 2024, oyster shells, stainless steel. Installation view, Sharjah Biennial 16: to carry, Al Mureijah Square, Sharjah, UAE. Courtesy the artist and Milani Gallery, Meanjin/Brisbane. Photo: Ivan Erofeev.

Whispers Midden

In Whispers Midden (2023), Cope has constructed a midden from thousands of oyster shells. Middens are mounds of shellfish shells piled up over millennia to create an architectural form, indicating human inhabitation. They “are accumulations of our cultural feasting and our family gatherings,” says Cope. “Before colonisation these forms were enormous.”

On the island of Minjerribah (North Stradbroke Island) in South East Queensland, only small remnants of the once towering structures created by the Quandamooka people remain. With the arrival of Europeans to Australia, middens almost disappeared after being burnt for lime mortar throughout the 19th century.

Here, Cope re-imagines what a young midden might look like, carrying the significance of shell mounds as a form of Aboriginal culture, architecture, and place-making into the present day. Oysters, which clean and filter marine water, “are a sign of health and hope” says Cope, while the midden is a form that carries memory of place, people, and practice within its many layers.

EXHIBITION HISTORY
- Megan Cope: Whispers, Sydney Opera House, 2023
- Sharjah Biennial 16: to carry, Sharjah, UAE, 2025

Megan Cope, Whispers Midden, 2024, oyster shells, stainless steel. Installation view, Sharjah Biennial 16: to carry, Al Mureijah Square, Sharjah, UAE. Courtesy the artist and Milani Gallery, Meanjin/Brisbane. Photo: Ivan Erofeev.

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After The Flood IIII (ongoing series)